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Beyond “Lesbian Necromancers in Space”: How Necromancy Evolved in Modern Fantasy

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“ Lesbian necromancers explore a haunted gothic palace in space! ” That was how science fiction author Charles Stross famously described Gideon the Ninth in a promotional blurb for the book. The full version is even better: “Lesbian necromancers explore a haunted gothic palace in space! Decadent nobles vie to serve the deathless emperor! Skeletons!” Like the best blurbs, it manages to be both accurate and completely ridiculous. Readers quickly shortened the line to the now-famous meme “lesbian necromancers in space” , which spread widely across reviews and social media and became one of the most recognizable descriptions of the novel. But while the phrase is funny, it also points to something interesting. Necromancers have become one of the most flexible archetypes in modern fantasy and science fiction. Once they were almost always villains: dark wizards raising skeletons and commanding armies of the dead. But contemporary authors have expanded the concept dramatically....
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Detective Hole: Another Brilliant Mess

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Some character types never seem to leave crime fiction. One of the most persistent is the brilliant but broken detective: socially difficult, emotionally damaged, and very often drunk. Netflix’s adaptation of The Devil’s Star , released under the title Detective Hole , returns to that well-worn template with Jo Nesbø’s Harry Hole. It is a familiar setup, and by now arguably an overused one, but it still works often enough that the genre keeps coming back to it. My own first encounter with this type of character was probably Robbie Coltrane as Fitz in Cracker . That remains a hard version to beat. I happened to rewatch it a year or two ago after stumbling across it on a streaming service, and it held up remarkably well: messy, abrasive, intelligent, and more believable than many later variations. Since then, the same basic archetype has appeared again and again: the alcoholic genius, the socially misaligned investigator, the detective who can solve everyone else’s problems but not his...
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From Wonder to Uncertainty – A Reading Journey Through Cosmology

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My first real encounter with cosmology—outside of science fiction—came surprisingly early. I must have been in seventh or eighth grade when I picked up The Collapsing Universe by Isaac Asimov. In Swedish it was titled Svarta hål och kosmiska ägg (“Black Holes and Cosmic Eggs”), which, in hindsight, might be one of the most wonderfully strange titles imaginable for a middle school student browsing a library shelf. I found it while preparing a five-minute school presentation—and ended up reading the entire book twice. When the day came to present, I enthusiastically talked about stellar fusion in the Sun, how stars evolve over time, and how massive stars can collapse into neutron stars or black holes. Looking back, I suspect most of my classmates were completely lost somewhere between hydrogen fusion and gravitational collapse. But I also remember the teacher seeming impressed, which probably reinforced the feeling that I had stumbled onto something exciting. More i...
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Moon Called — Between Investigation and Relationships

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Coming back to Moon Called , the first book in the Mercy Thompson series, as part of a broader urban fantasy reread has been a slightly strange experience. Not because the book is bad—it isn’t. But because it sits in a space that feels increasingly like a transition point in the genre. Not quite the earlier, investigation-driven urban fantasy of the 90s and early 2000s, but not fully aligned with the more relationship-centered direction that would come to dominate later. And on reread, that in-between quality becomes much more visible. A Surprisingly Sharp Opening One of the first things that stood out is just how violent the opening is. A throat torn out. A head blown apart. Several deaths within the first few chapters. I had remembered Moon Called as softer—and in a sense it is, especially compared to the early Anita Blake books—but that seems to be more a matter of tone than content. The violence is there; it just doesn’t linger in quite the same way. It’s a reminde...
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When Urban Fantasy Was About Monsters — and When It Became About Something Else

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I’ve found myself drifting back into a reread of urban fantasy from the late 90s and early 2000s— Moon Called , Anita Blake , The Dresden Files . Part nostalgia, part curiosity. What, exactly, did these books feel like at the time? And more importantly: what still holds up? This isn’t meant as a comprehensive history of the genre—just a look at what changes when you come back to it years later. Because somewhere along the way, urban fantasy seems to have shifted—quietly, gradually—from something closer to noir investigation with monsters into something else entirely. One person, one case, one dangerous world. Faith, Religion, and the Need for Rules One of the first things that stands out on reread is the persistent presence of religion and faith. Crosses repel vampires. Faith protects. Belief has power. It’s a strange feature if you stop to think about it. Why does a genre already built on magic, werewolves, and vampires feel the need to anchor itself in som...
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Slay the Spire – The Game That Defined a Genre

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Slay the Spire may seem deceptively simple—right up until you realize how much of modern game design it quietly reshaped. There were roguelikes before Slay the Spire , and there were deckbuilders before it as well. But when MegaCrit released Slay the Spire in 2017 (early access) and fully in 2019, it felt like something clicked. The game didn’t invent the idea of combining roguelike structure with card-based combat—but it refined and popularized it to such a degree that it effectively defined a modern subgenre. In the years that followed, we saw an explosion of deckbuilding roguelites: Monster Train , Griftlands , Inscryption , Across the Obelisk , Menace from the Deep , and even oddball hybrids like Balatro . Some lean toward spectacle ( Inscryption ), others toward complexity and long-term systems ( Across the Obelisk ), or speed and efficiency ( Monster Train ). But the underlying rhythm—fight, reward, adapt—remains unmistakably rooted in Slay the Spire . It e...
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Golden Son: When Momentum Turns Against You

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Some sequels expand a story. Others accelerate it. Golden Son  does something more unsettling: it removes the sense that anything can still be controlled, even by the people driving events. Where  Red Rising  is structured—moving through betrayal, transformation, and the closed system of the Institute— Golden Son  opens in motion. Two years have passed. Darrow is finishing the Academy. There is no reintroduction, no gradual rebuilding of stakes. The story begins mid-stride and immediately compounds its own momentum. It does not feel like a middle book. It feels like something already spiraling. From Game to System Part of what made  Red Rising  compelling was clarity. The Institute, for all its brutality, was legible: a bounded system with rules, alliances, and outcomes that could be anticipated, even if not controlled. Golden Son  dissolves that structure. The story expands outward into fleets, politics, and layered loyalties...
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